![]() ![]() The answers are relentless speed, the strategic use of full body weight, and dirty fighting. This is not to say that "Tomb Raider" is "realistic" in any sense, because no video game movie is-at one point, Lara powers through after a puncture wound that would put a 250-pound Green Beret out of commission-but that the filmmakers and Vikander are doing everything they can to sell the physical and emotional reality of a moment.Īs written by Geneva Robertson-Dworet and Alastair Siddons, there's a strong element of domestic melodrama at the heart of the tale: Lara's father went missing and is presumed dead. The movie has given a lot of thought to the question of how a small woman could successfully fight opponents who are a lot bigger and stronger. She makes you feel the physicality of this intensely visceral performance, letting out a high-pitched grunt of rage or pain when Lara crashes into a wall or gets slammed on the ground by a brawny foe, and letting sparks of fury flash in her eyes as Lara delivers a coup-de-grace. With her faintly regal bearing, she's correctly cast as a woman who's literally to-the-manor-born, but the humility and sense of fair play she exudes makes you like rather than resent the character. More importantly, she's an action hero par excellence. Seemingly bereft of body fat, Vikander hurls herself into action. I've never played the game, but I had a great time watching the movie it inspired, thanks ]to the direction the stunt choreography, which leans on real performers and props whenever it makes sense to the emphasis on problem-solving one's way out of tight spots and most of all, the actors, who flesh out archetypal characters who might have seemed cliched or merely flat on the page, and make them as real as they can, considering what sort of movie they're in.įirst among equals is Alicia Vikander. The star concluded, “I think that’s the way to do it because then everyone feels comfortable and then hopefully, although it is super strange and uncomfortable, a little magic comes through a lens and people will be convinced.Although it borrows from the game (and, partially, its sequel) for structure and most of its key action sequences, the movie never feels like a pointless companion piece to a work that was created for a different medium. That way, everybody on set is on point, because you have to get it done in one take. “I probably did my first sex scene at 20, and it’s always been technical, as it should be it should never be anything but technical,” Vikander said at the time. Vikander previously told Harper’s Bazaar UK in November 2019 that she tries to do nude scenes in one take. “I am very comfortable with my body and I’ve done quite a bit of nudity and sex scenes, but it’s never easy.” It’s the worst thing ever to do those scenes,” Vikander said. “The only thing that can’t be improvised is an intimate scene - you have to make choreography and stick to it. ![]() ![]() Vikander has stripped down for love scenes in “ Tulip Fever” and Netflix’s “Earthquake Bird,” but the actress still called onscreen nudity “never easy” to film. ‘Irma Vep’: Crafting a Cinematic Hall of Mirrors ![]()
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